I must agree, after being a born A.R.Rahman fan, I finally begin to understand and develop a liking towards Raja Sir's music.
Veede movie review movie#
This movie could feel very much like something that could have happened to you. It is just about a middle class woman who has set out to build a house for herself. There isn't even the slightest of complications in narrative to elaborate. 2) The story as he always says, is the simplest one ever. What better light am I going to make than what the almighty throws on us in abundance ?" This movie has entirely been captured with the God's Light itself in a manner which the God himself might be astonished to know can create. 1) If you tell him how well he captures images in the available 'Natural Light', he would immediately stop you and say - "You call it Natural Light, I call it The God's Light. Watching this film is like knowing who Balu Mahendra is. This movie spells Balu Mahendra in every aspects and in every single emotion of its. The rest all had compromises that I had to make for Kodambakkam (referring to the commercial aspects)" So, as soon as I watched the movie I write this review. There were Sandhya Ragam, Veedu and Thalaimuraigal. Mediocrity and predictability have seldom augured well for the prospects of a film and so is the case with this film.I desperately wanted to watch this movie as soon as I can because I saw in one of the very last interviews of Director Balu Mahendra sir's after the release of his "Thalaimuraigaal", he said and I quote - " In my entire career, I only made 3 movies completely according to my desire. A late realization that the film has to say something comes bit too late as the cruel head of the family is lectured on communal harmony.
Veede movie review Patch#
Jayaram and Asif combine to evoke a sense of tiredness which fails to patch the plot despite their best efforts.
There is lavish borrowing from the films set in middle of 90s where good-hearted heroes ruffle merciless patriarchs and then put on a disguise to melt away the stones inside the hearts. A part-crafty, part-innocent henchman has to side up with the leads in their antics to fool the entire family. Concealment of identity amid threating circumstances calls for lighter moments and the scriptwriters famous for churning out hits from the same mould do not have to work hard to recreate such moments. It would be insolent to say that such films come out of nil effort, for there is plenty of work that goes into decking up the sets for songs and preening up the characters for each of such occasions. Magic happens, the patriarch stands on his feet with revolver in his hands. The man who eloped with the girl comes in the guise of a Muslim doctor. A mediocre tale, we have already seen its many versions.Īn accident leaves him in bed with a weak body. He is jailed and released, with hatred steaming inside. In Mailanji Monjulla Veedu, A Muslim patriarch guns down a youngster for trying to elope with his daughter. Hidden inside all these palpable manifestations for light, colour and people is their deeply-rooted penchant for patriarchy. The script has to be squeezed in with festive occasions preferably marriages because they want the houses lit up with so many LED lights in dazzling colours. Since the house is big, they occupy almost every room with characters and make sure that all of them are dressed up so elegantly that a group photo could be taken even at midnight when they are deep asleep. They house their characters in towering mansions with a floor area that tease the cinematographer to fiddle with wide lenses. Review: As scriptwriters, Sibi K Thomas and Udayakrishna jointly share a love for the excess.
The man then comes back to the family and mends hearts without revealing his identity. Story: The film is set in a rich Muslim family where a girl elopes with a Hindu doctor.